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wood colour ---- did it ever exist.

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  • Member since
    November 2005
wood colour ---- did it ever exist.
Posted by Anonymous on Wednesday, May 7, 2003 9:48 PM
Dear everyone,
In an effort to translate whats visualized & then trying to get that talent past my wrists,has always proved to be a challenge.
Here in Australia we have a good start but not alot of range.
Now,finally the question;

Using the 3 most available companies (testors,humbrol,tamiya)
what colours & what techniques can I use to simulate wood.
Advice needed for everything from pick handles to rifle stocks.
Please help has do not have much more hair left to pull out.
Regards,
David
  • Member since
    February 2003
  • From: New Zealand
Posted by nzgunnie on Thursday, May 8, 2003 2:12 AM
This is how I paint it on rifle stocks in 120mm.
1 start with a sand or brown colour, Anywhere between desert yellow and dark earth, depending on what you what the finished product to look like. The lighter you start the more the 'grain will stand out.
2 Using brown oil paint (a mixture of Raw umber and Burnt Sienna is good) apply this pretty thinly, brushing in the direction you want the woof grain to go.
3 Leave this for a while to start to dry, how long depends on the type of paint. Once it has thickened up a little, use an older, stiff, flat brush and gently run this over the oil paint in the direction of the grain. The idea is to remove some of the paint, leaving lighter areas and simulating the wood.

It takes a little practice, you should experiment to see how thick to apply the oils, how long to leave them to dry etc. At least with oils, if you stuff it up you have lots of time to clean them off and try again.

In larger scales the slight texture of oils is handy, but you'll want to get it pretty smooth in 1/35. You will need to leave this to dry for about 1 week if you use oils
  • Member since
    November 2005
Posted by Anonymous on Thursday, May 8, 2003 6:43 AM
Hi Swoop!
I cover the base of dark yellow (Tamyia acrylic) with very thin burnt sienn or mixed with raw umber as well. This results in a pattern that simulates wood very well, as the colour doe´sn´t cover the base and you can leave the removing of superfluous oil colour afterwards by means of the stiff brush.
The result could look like this:
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