I think the graduation of skin tones is excellent. I would have worked
the highlights more strongly, and maybe that's what Peter is really
getting at, but frankly, we're looking at a simple digital pic with
natural lighting, and one must take that into consideration as well,
when judging someone's work. Not all of us have the benifit of an 8
megapixel supercamera and a staggering array of lights.
I
can't tell exactly what's going on with the eyes, re: the moistness
thing (just glare, I'm guessing), but I do see the various tones to the
pupil, which are also excellent.
I find acrylics difficult to work with, as the main medium for
figure painting, being an old school oils man, and my hat's off to anyone who can get a handle on
them.