Publius
So I wonder where did McCann get his inspiration? About 50 years ago in Berkeley California I visited the hillside mansion home of Eva and Sally Edwards and for the first time saw an authentic wooden sailingship model up close. This model was "museum quality" and enclosed in glass in the front hall of the house. My mom, never a stickler for detail said Eva's husband was captain of the Sea Witch and the name of the model ship I never got. In later years I just decided it must have been built by a sailor on a sailing ship on long voyages back in the days when guys got a sailing ship tattooed across their chest.
Sally is still alive and about 90, my mom's age and she still has the model. What I'm wondering is how was it built? Were there kits around the turn of the century? Plans? Hobby shops? Are there many 18th century models around that were built on whaling voyages and such? I would love to fill in this gap in my knowledge.
Years ago too I read an article about a ship model dealer in San Francisco that was getting $100,000 and more for old ship models. Where did these models come from and what were they? Thanks and "Wondering in Bangkok," Paul/Publius/Preacher/John3/16
Wow. Quite a few different questions there - most of them with no definitive answers.
Ship models, in one form or another, have been around since at least the days of the ancient Egyptians. Sailors (and other people) were building them as decorations and keepsakes long before Captain McCann came on the scene. And there were, of course the famous "Admiralty," or "Board Room," models that were built in the seventeenth and eighteenth centuries.
It's pretty clear that in the beginning of his career McCann drew his own plans, largely on the basis of his own imagination. (The first two, I think, were a sixteenth-century galleon and a Barbary felucca. The plans for them bore scarcely any resemblance to reality.) Over a period of twenty years or thereabouts he evolved as a modeler, and his plans got better. Those of the clipper ship Sovereign of the Seas clearly were based on the plans of the real ship. (That book, How to Make a Clipper Ship Model, was in print as recently as 2007: http://productsearch.barnesandnoble.com/search/results.aspx?store=BOOK&WRD=E%2E+Armitage+McCann . Nobody would recommend it as a practical guide to ship modeling in 2010, but it's an interesting artifact.) By the time McCann got to the U.S.S. Constitution he was working from good archival sources. I don't think I've seen any of his plans of contemporary (i.e., 1920s) warships, but my guess is that they were based on plans from the Navy Department - and from personal observations. He was a retired sailor and a good draftsman; he knew what he was doing.
And the hobby of scale ship modeling caught on. By the mid-1920s several other authors were publishing books about the subject - most conspicuously, perhaps, Charles G. Davis: http://store.doverpublications.com/0486255840.html . Several magazines, including Popular Mechanics and Mechanix Illustrated, were publishing plans and instructions, in serial form. I believe the first magazine devoted entirely to ship modeling, the British monthly Ships and Ship Models, started its run in the early thirties. (I've got a reprint edition of its first couple of years around here somewhere; I'll try to remember to look for it.)
How to Make a Clipper Ship Model includes an ad for...well, for a box of stuff that we'd probably call scratchbuilding materials: some boards, dowels, and a few simple lead fittings (such as anchors). The promotional slogan is "Everything but the paint on your work table." That's the earliest "ship model kit" I'm aware of.
I have no idea when the first stores that called themselves "hobby shops" came on the scene - or where. My guess is that they started turning up in the twenties and thirties, with model railroading and balsa airplanes making up most of their merchandise.
"Sailor-made" models from the nineteenth and twentieth centuries are fairly common in museums and antique stores. One from earlier than 1840 or thereabouts is a rare find - and there are, of course, lots of fakes knocking around. Sailor-made models are generally pretty easy to recognize. Their hulls are usually distorted (the sailor had no access to plans, and he never saw the underwater part), the workmanship is pretty crude (the sailor probably had access to no more tools than a knife, a saw, and some needles), and the materials are basic (pine boards, maybe oak dowels, nails, and maybe - maybe - a few cast lead fittings. The rigging of a sailor-made model is usually out of scale, but the leads of the lines are impeccably accurate. (That's something the sailor did know about from personal experience. A model that's accurately proportioned, and that features neat, professional-looking fittings (blocks, deadeyes, gun barrels, etc.), almost certainly wasn't built by a sailor - unless he was sitting in a well-equipped workshop on dry land.
I don't know who that dealer in San Francisco may have been, but $100,000 is a mighty steep price for any ship model. (When I was working at the Mariners' Museum we might have considered paying a price like that for a genuine seventeenth-century Board Room model in great condition, or maybe a genuine, rigged, POW bone model from the Napoleonic Wars, but that's about it.) On the other hand, there is a small group of gullible rich people out there who take pleasure in paying outrageous prices for objects that other people can't afford. I've heard of at least one modern modeler putting a six-digit price tag on one of his models, but I haven't heard of anybody actually buying such a thing.
The history of ship modeling is a fascinating subject. It really needs to be the subject of a good, well-researched book. Several works on the market purport to fill the bill but, to my notion, really don't. The best is probably Ship Models: Their Purpose and Development from 1650 to the Present, by Brian Lavery and Simon Stephens (London: Zwemmer Publishing, 1995). It's a good book, but doesn't quite live up to its subtitle. Only the first part of it actually deals with the history of ship models - and does so in a manner that's highly Anglo-centric. The rest of it consists of a catalogue of the models in the National Maritime Museum, Greenwich - where both of the authors worked. I have no idea what sort of market ould greet the appearance of a really thorough, well-illustrated history of ship modeling; I suspect most publishers would be reluctant to touch such a thing. But we can hope.