Shortly after the tragic fire on board the Cutty Sark we had a lengthy (and sometimes pretty high-temperature) discussion here in the Forum about the way the restoration of the ship was being carried out. Now, for better or worse, it's finished.
For the record, my opinion at the time was that the actual restoration of the ship was being carried out in accordance with the highest technical and ethical standards of the conservation profession. I still think so; they did a superb job of conserving and restoring the ship.
The way they've chosen to exhibit her is another matter. A number of schemes were considered - including one that would have the ship surrounded by a bizarre glass-and-steel structure that would represent the curving swells of the sea. (UGH.)
As I understand it, when the decision was made to lift her off the bottom of the drydock one of the senior restorers resigned. And the final result seems to be pretty controversial. Here's a provocative video from the BBC: http://www.bbc.co.uk/news/uk-england-london-19605582 .
I haven't been to London for quite a few years, but in my opinion the old way the Cutty Sark used to be exhibited was actually pretty good. The ship sat in her drydock with her waterline at the level of the surrounding pedestrian mall. That awful door had been cut in the port side, but it was possible to climb down a flight of stairs and look up at the bottom of the ship from the floor of the drydock. The oft-heard statement that "you couldn't look up at the ship's hull" is just plain false. At least in 1978 (when I was young enough to make my way down those stairs), the visitor was welcome to cimb down into the drydock. And at the aft end of it was one of my favorite features, a plaque bearing a quote from John Masefield: "They mark our passage as a race of men/Earth will not sea such ships as these again."
For what little it's worth, my own personal opinion of the new "building": (a) It's utterly hideous, and (b) Some of the other proposals (which got abandoned) were worse. I guess I should be grateful - but it ain't easy.
The good news: The conservators meticulously adhered to the principle of reversibility. A few generations down the road, when (nay, if) a mass of money is available for such projects, it will be possible for some people who know what they're doing to demolish this awful eyesore and exhibit the Cutty Sark to the public in a manner that's aesthetically pleasing, consistent with the conservation ethic, and properly respectful of the ship.
Youth, talent, hard work, and enthusiasm are no match for old age and treachery.