Chapelle was an outspoken character, and tended to stray into hyperbole on occasion. I probably have the same problem. I don't suggest a ban on
Santa Maria models; I suppose it's not a bad idea for each generation to rethink the subject. Ship modeling, approached rigorously, can be an extremely useful research tool. Unlike the rendition of a drawing or a painting, it forces the researcher to confront all the problems in three dimensions - without the expense and impracticality associated with a full-size replica.
I guess my problem with
Santa Maria models relates less to the lack of references than to the fact that she's such an incredibly hackneyed subject. As Ron implies, she's pobably the most famous ship in history. (The only possible rival is Noah's Ark - which, fortunately, has
not provided much inspiration to ship modelers.) The number of
Santa Maria models produced since 1492 has to be in the millions. Some of them represent good, solid, research; others are sold in grocery stores, and there are countless variations between.
One problem with this situation is that it becomes difficult for the casual researcher or enthusiast to distinguish between the well-researched model representing the current state of research and the others. The
Santa Maria and
Nina that August Crabtree built, and that are now in the Mariners' Museum, most emphatically do
not represent the current state of scholarship. They were built sixty years ago or thereabouts, and in any case Crabtree was a far better craftsman than an historian. (In his defense, the text of the little book he wrote about his models does acknowledge that those two are based largely on guesswork.) But many visitors to the museum - and many modelers, I'm afraid - assume those models are accurate representations of the actual ships.
If somebody turns up a model that can be conclusively proven to have been built by one of Columbus's sailors, or if some previously unknown trove of detailed information about Spanish ships of the fifteenth century gets discovered, I'll be fascinated. Otherwise, it would take a great deal to get me interested in one more model of the
Santa Maria.
Chapelle wrote another article called "The Ship Model that
Should Be Built." I like that one better. His point this time was that there's a great deal of information out there about important, good-looking vessels that hardly ever attract the attention of modelers. I've seen enough good models of the U.S.S.
Constitution to last me the rest of my life, but I can't recall ever seeing a serious scale model of the
Philadelphia, the
Chesapeake, the
Wasp, or the
Hornet.. I have no inclination to build one more H.M.S.
Victory - but how about the
Royal Sovereign, which was the first through the line at Trafalgar? For that matter, how about the losers? When was the last time you saw a model of H.M.S.
Guerriere, or the
Bucentaure, Villeneuve's flagship at Trafalgar? Plans for a couple of dozen beautiful, important American clipper ships are available; why does everybody have to build the
Flying Cloud or the
Sea Witch? (Three cheers for Bluejacket and its new
Red Jacket kit.)
When I picked my own first scratchbuilding subject, the Continental frigate
Hancock, I was aware of only a couple of other models of her. Since then - through no doing of mine - she's become a pretty popular subject herself. I think it's neat when that happens. Now, why doesn't some kit company, rather than giving us yet another
Constitution or
Santa Maria, do a kit for a Revolutionary War frigate?
Sure, we can always use another good, well-researched model of the
Santa Maria. But plenty of other good subjects are waiting to be turned into models.