Jamest - The Revell
Bounty is a kit on which I feel like I can comment reasonably competently. I built a model from it quite a few years ago. Some photos of it are posted on the Drydock Models forum ( http://gallery.drydockmodels.com/album207 ).
When I was working on that model I did quite a bit of reading in primary and secondary sources. As is often the case regarding pre-20th-century ships, the amount of hard, reliable information about the
Bounty is surprisingly scanty. The contemporary pictorial information about her consists of four pieces of drafting cloth. The draftsmen at the Admiralty drew two sets of plans for her - one just after she was purchased, and one showing "some contrivances" that were added for her breadfruit-carrying voyage to the Pacific. I think I can state categorically that beyond those two sets of drawings (two sheets each - hull lines and deck plans) there are no genuine contemporary paintings or drawings of her. (There is one old print that shows the sailors putting Bligh off in the ship's launch, but that obviously was drawn after the mutiny - when the artist couldn't possibly have seen the real ship.) This isn't surprising, really. She wasn't perceived as a particularly important ship. She was purchased by the Royal Navy, sailed for the South Seas a few months later - and never came back.
The honest answer to the question about the hull color scheme is - nobody knows. Bligh's logbook contains a few vague references to "blackening the sides" and "blackening the yards," and he said that after the ship got to Tahiti he ordered the figurehead painted "in colors," which amused the Tahitians (who had never seen a European woman). Otherwise we can only be guided by standard practice of the period. The typical color scheme for a naval vessel (or a merchant ship, for that matter) in the 1780s included oiled natural wood hull planking, black wales, and some yellow ochre trim. The inboard works and deck fixtures often (though probably not always) were painted red - probably not, as the books often imply, to camouflage blood stains, but because red lead was a cheap, durable primer color. Blue was sometimes used in small areas as a trim color.
For the 1959 movie version (the one with Marlon Brando and Trevor Howard), MGM built a life-size replica of the
Bounty. (Actually it's a little larger than life-size; it was deliberately made about 20 feet too long, for the convenience of the Cinemascope camera crews.) For some reason that I've never figured out, they painted the hull blue. So far as I know there is no supporting evidence for that whatsoever. I've seen several paintings and other graphic renditions of the
Bounty with blue hulls - all of them dating from the time after the movie came out. As the photos indicate, I gave my model a narrow strake of blue along the top of the main wale. If I were doing it again (heaven forbid) I don't think I'd do that. I'd also use a duller shade of red.
The only other thing we know for sure about the color scheme is that the bottom was copper-sheathed. Revell, unfortunately, missed that point. (They missed lots of things. My model contains seven pieces of the kit - excluding those wonderful crew figures.) I made the copper on mine out of .001" copper sheet, appied with contact cement and weathered with paint.
Hope this helps a little. There's considerably more info about this ship on the Drydock Models site, if you're interested.