Schoonerbumm - I had the pleasure of meeting Mr. Montgomery several times. When I was younger I used to make a trip to the East Coast every summer or so, stopping at maritime museums, hobby shops, etc. (In those days, with gas costing less than $1 per gallon and motel rooms available for less than $20 per night, a single guy could take quite a trip for a few hundred dollars.) Two regular stops were the Bluejacket factory in South Norwalk, Connecticut, and the Model Shipways one in Bogota, New Jersey. In both cases the word "factory" could only be applied generously. Both firms were extremely small - and gave extremely personal service. A customer walking through the door was likely to be greeted by the owner(s). If I remember right, on my first visit to Bluejacket Art Montgomery drew me a detailed map showing me how to get to Model Shipways. (It wasn't easy; the little storefront business was located at the end of a deadend street.) He described the two companies as "friendly competitors."
As I understand it, in those days (the seventies) Bluejacket was largely a family operation. The Montgomeries had taken over the firm fairly recently. It originally had been known as Boucher Models; its founder, Horace Boucher, established it in 1905. I believe Mrs. Montgomery handled much of the bookkeeping, while the younger Montgomeries oversaw the actual production of the merchandise - and waited on customers. About the only other things I remember about them were that they had a big, wood, two-masted schooner named John Paul Jones and that they were all rabid New York Mets fans. (We had some interesting baseball conversations on those trips. Sam Milone at Model Shipways was an equally enthusiastic Yankee supporter; I lived and died with the Cincinnati Reds. But I've always had a soft spot in my heart for the Boston Red Sox. I spent three successive nights in Fenway Park watching Yaz not get his 3,000th hit.)
It's been quite a few years since I did any research in primary sources on the history of American revenue cutters. I did those drawings several years before Don Canney's book was published; where his statements differ from mine, it's safe to assume his are correct. (I made a drawing of the first cutter Eagle back in the late eighties, based on the best information Bob Scheina, then the Coast Guard Historian, and I could find at the time. Don subsequently found a document establishing that her dimensions were considerably different than we'd thought. Oops.)
The primary sources on American sailing revenue cutters are notoriously bad. The old Revenue Cutter Service wasn't particularly careful about keeping records, and many that presumably did exist have disappeared. The best compilation of written information about them is an old WPA project, from the thirties, that was put together in the form of a volume called the "Record of Movements." Only a few copies of it were printed; most are in Washington-area libraries. That volume was Don Canney's starting point. He supplemented the material in it with a considerable amount of additional stuff that's turned up (largely as a result of Don's own efforts) since the thirties.
Tracing the history of all those old ships via the written records is frustrating - and sometimes downright impossible. The problem is compounded by the Revenue Cutter Service's habit of renaming ships. (Revenue cutters traditionally were named after cabinet members - especially Secretaries of the Treasury, since the Revenue Cutter Service was part of the Treasury Department. When a new president took office and appointed a new Secretary of the Treasury, the cutter named after that individual's predecessor might well get renamed - especially if he was of the other political party. If I remember correctly, the Joseph Lane was originally named Campbell - but it's been a long time since I tried to sort all that out.)
The last time Don and I spoke about this subject (which was a long time ago), he hadn't found any actual plans of sailing revenue cutters beyond the ones Howard I. Chapelle published in his two early works, The History of American Sailing Ships and The History of the American Sailing Navy, published in 1936 and 1949 respectively. The dozen or so plans in those books represent just about the best hard information we have on these important and attractive ships. Most of the drawings of sailing revenue cutters that I made for the Coast Guard Historian's Office are based on the ones in Chapelle's books. While Don was working on his book, the Coast Guard hired me to make several more drawings "reconstructing" the appearance of other famous or otherwise significant cutters - e.g., the first Massachusetts and the "Hunter-wheel" cutter Spencer. In the texts I wrote to accompany those drawings I emphasized that they were based on a great deal of guesswork, and I put the words "a reconstruction" prominently on each of them.
Schoonerbumm is right: by far the most detailed of all the plans in question are the sheets devoted to the Joseph Lane. They contain a vast amount of detail, down to and including the locations of doorknobs. But, frustratingly, they don't give the slightest hint about the ship's armament.
Bluejacket produced a Joseph Lane kit with a solid hull for many years. Maybe Art Montgomery picked the name Jefferson Davis mainly to clarify the difference between the new plank-on-frame kit and the old solid-hull one; I don't know. I'm embarrassed to admit that I don't have a copy of Don Canney's book; I'm not sure whether or not it's been definitely established that the Joseph Lane, Caleb Cushing, and Jefferson Davis actually were sister ships. (That's the sort of thing that's frequently and frustratingly absent from the records.)
At any rate, the Bluejacket Jefferson Davis kit and the same company's yacht America are among the handful of genuine "plank-on-frame" kits on the market. (There's a big difference between "plank-on-frame" modeling and the much more common "plank-on-bulkhead" system.) I've never built either of them, but they have an excellent reputation. I seem to recall reading in a review somewhere that some of the frames in the America kit got recycled into the Jefferson Davis, but that may be my memory playing a trick on me. Maybe Al Ross, who's currently affiliated with Bluejacket, can add something.
About the original subject of this thread - the Lindberg "Sandpiper" kit - I'm afraid I can't contribute anything. I've seen the kit on the shelves of hobby shops a few times, but I've never bought it or seen the inside of the box.