Water modeling - Acrylic gel medium, Liquitex gloss varnish, Modge Podge???

have a look at some of gene's pic's , it look's pretty good on the glass table  .

I have seen folks use patterned (wavy) glass and it looks okay. It was not stained, just wavy patterned. I think it is not the easiest to find, however.  A bought a sheet of wavy patterned plastic, intended for one of those ceiling lights that goes into those 2x4 gridded tiled ceilings. It was okay, got a couple of models from one sheet and had a lot left over.

Now, however, I like the ability to do my own waves, including wake of ship.  For small scale, you can make waves by brushing polyurethane varnish over sea-colored painted surface.  Makes a super glossy overcoat at the same time.  For larger scale I use the gel medium.

Hello F.C.

 My land-lady has a suggestion for all of us . Why not start with a piece of  Stained Glass that already HAS a wavy pattern on it .You can get it with Gentle Swells or WindBlown rills . Then Put your ship on that and go from there . Plus you can get it in the colors that might help too . T.B.       P.S.you can also get it somewhat translucent for further depth effect .

goldhammer

Drop Modelcrazy a PM.  He does excellent water effects and I'm sure would give pointers.  He did a Rufe tied to the beach not too long ago for a GB here.

 

He has done some amazing water scenes for both aircraft and ships. Inspired me to finaly give it a go.

Drop Modelcrazy a PM.  He does excellent water effects and I'm sure would give pointers.  He did a Rufe tied to the beach not too long ago for a GB here.

I have used woodland scenics for a small amout of water and really liked it. But it is expensive and i would not want to use it to float a whole aircraft kit on. Like you i have some floatplane subjects i want to place on water and have seen some very nice work useing the gel medium.

Tojo72

 

the Baron

I use acrylic gel medium in the same way that Don and GM described, applying it to a base and then shaping it to make waves and the ship's wake.

You can use it for making a deep-water ocean base, by using a piece of foam as a core, and then coating the surface with the gel. You can carve the surface shape into the foam, and cut out to fit the ship into the base.  Then you coat the base with gel brushed onto the foam.  You can layer this with paper towel (use a brand that doesn't have impressed texture or shapes) and more gel, till you have your water surface formed.

Chris Flodberg is a master of this technique; I don't have any links handy, but if you do a web search, you'll find photos and threads about his builds.  He's also had a feature article in FSM in the recent past, in which he described his method.

 

The Gel Medium article I saw was back in 1983,it was the 1st time I tried it.

Maybe there was a later one,but I held onto that for awhile.

Yeah, I'm talking about a much more recent issue.

I just searched the back issues section of the website to find it, and it's in the April 2016 issue.  "Sculpting Rough Seas", by Chris Flodberg:

http://www.finescale.com/issues/2016/april-2016

the Baron

I use acrylic gel medium in the same way that Don and GM described, applying it to a base and then shaping it to make waves and the ship's wake.

You can use it for making a deep-water ocean base, by using a piece of foam as a core, and then coating the surface with the gel. You can carve the surface shape into the foam, and cut out to fit the ship into the base.  Then you coat the base with gel brushed onto the foam.  You can layer this with paper towel (use a brand that doesn't have impressed texture or shapes) and more gel, till you have your water surface formed.

Chris Flodberg is a master of this technique; I don't have any links handy, but if you do a web search, you'll find photos and threads about his builds.  He's also had a feature article in FSM in the recent past, in which he described his method.

 

The Gel Medium article I saw was back in 1983,it was the 1st time I tried it.

Maybe there was a later one,but I held onto that for awhile.

I use acrylic gel medium in the same way that Don and GM described, applying it to a base and then shaping it to make waves and the ship's wake.

You can use it for making a deep-water ocean base, by using a piece of foam as a core, and then coating the surface with the gel. You can carve the surface shape into the foam, and cut out to fit the ship into the base.  Then you coat the base with gel brushed onto the foam.  You can layer this with paper towel (use a brand that doesn't have impressed texture or shapes) and more gel, till you have your water surface formed.

Chris Flodberg is a master of this technique; I don't have any links handy, but if you do a web search, you'll find photos and threads about his builds.  He's also had a feature article in FSM in the recent past, in which he described his method.

Thanks to all for your input, very much appreciated! I look forward to working with these techniques!

To add a little clarification, I'm not really a ship kinda guy, mostly aircraft, but I have a kit of a Zero floatplane (Rufe) and a BV 138 I'd like to set on water if I can... Methinks I won't be needing a lot of water, nor make huge wakes, just still water or with a bit of movement to it... 

Making the waves depends a bit on what scale the model is.  I use the acrylic medium for larger scale, 350th and bigger. I find in 1:700 I can make waves just by brushing them onto a smooth base that I have painted with an ocean color, and then brushing on clear polyurethane varnish.  This is your chance to paint and intentionally leave brush marks.

For 1:700 another trick is to take a sheet of aluminum foil, roll it up in a coil, not worrying about making creases.  The creases will line up in sort of a wave pattern.  The foil is then unrolled and glued to a base.  Then, color painting, followed with several coats of a gloss clear, will give  you a sea.  Takes a little practice, but aluminum foil is cheap, just keep discarding bad rolls until you get one that looks okay.

By the way, when I use the gel medium, I apply it with brush to sculpt into wave shapes.  There are grades of the gel medium by thickness.  The larger the scale, the thicker you want it.

The deep pour types of products are designed for uses typical in model railroads. Streems where the streambed is visible, or stuff like logs on the bank go down in the water.

It's not really good for ship models for the reason you give, plus it has no real advantage over a surface focused model.

My usual method is to select a board for a base and make the top surface quite smooth. Paint it a base color that matches the color of the ocean where your ship is sailing.

Ocean color is largely a reflection of the color of the sky above. But for modeling purposes there's also a need to have the model contrast with the water.

For the water I stay away from blue, I like black or dark gray. 

Acrylic gel medium is stuff like vaseline in consistency, that comes in a jar. it's easy to find it at Michael's and Aaron's. It's art use is to overcoat paintings to give them a texture that makes flat painting art look like oil paint with heavy brush marks.

For your model, if you have a separate hull bottom, or can make a shape 1/4" thick or so, put it on the model and apply the gel around it. Your coat is maybe 1/8" thick. It takes a couple of layers, and waves can be teased up as you go. It starts white but dries clear.

You can add acrylic paint to the gel. Add white for your final wave coats.

One suggestion on waves and wakes. Don't make it up. There are plenty of aerial photos of ships from which the right waves and wake for various hull types can be discerned, or for ancients, copy something similar.

Acrylic varnish comes in flat and gloss. You can decide on the finish you like. 

Some people use silicone sealant, I don't like it as it smells and is hard to move around with a paint brush.

I hope that's a little helpful.

Bill

The Gel Medium is used to sculpt the waves and wakes,it dries clear and needs to be painted,if I rememember correctly,the gloss varnish was used to impart a gloss to the waves and water after painting.