In my experience, most Tamiya paints can be leaned out very thinly as they have a very high pigment load (Notable exception, gloss white). Tamiya acrylics excel when mixed thinly and applied in multiple coats.
I think many people tend to under-thin when using Tamiya acrylics, as I often see recommendations of 2 parts paint to one part thinner, perhaps for fear of lack of coverage. I often thin to 3 parts thinner to one part paint, sometimes more, sometimes less, depending on what I want to achieve. I've not had any appreciable incidence of tip dry, using a 0.35mm airbrush.
The "drying trail" effect you often see when airbrushing flat paints, the wet trail which flash-dries in a few seconds, right before your eyes, is exactly what you want with this paint. Once flash dried, you can apply the next coat. Build the depth up with multiple thin coats. That's the key.
The exception to this is Tamiya's metallics, in which the particles of metallic pigments are quite large compared to many other paints. If mixed too thinly, they will settle quickly and clog your airbrush. If it's a coloured metallic, the metallic pigments and the colour may separate. Finding the ideal thinning ratio for metallics is a matter of experimentation, as airbrush setups & pressure settings can vary greatly.
Now all that being said, if you really do want to extend the drying time of the paint, Tamiya makes their own retarder, or as already mentioned, you can use Tamiya lacquer thinner, which will slow the drying of the paint (actually very helpful when using gloss Tamiya acrylics) or use one of a number of artists acrylic retarders which are available.
Don Stauffer
Is it the solvent they use that is the difference?
The solvent used does not make any difference to the basic chemistry of the paint binder, which uses acrylic polymers to form a coating. This is what determines whether a paint is acrylic or not. The solvent is irrelevant.