Okay, here’s my take. Most of the individual elements of these dios are all very good, even excellent. But a dio is more than a bunch of good elements put on a base. Composition in many of these with multiple heights is also very visuallyinteresting. However, the story is essential to how well it will do. Also, several of these appear to have very similar style and may be the work of one person. Think of a dio as a novel. It doesn't matter that there are hundreds of beautifully crafted sentences and some very evocative words, if hte final story doesn't flow, it's not a great novel.
Me 262: This would have been a much better story either without the Americans or without the Germans driving their vehicles through the scene. Had the Germans been being marched past the jet, the story would have been more cohesive.
Landing craft; Nice elements but no drama at all. The figures neither interact among themselves nor engage the viewer.
Sherman workshop: Is this supposed to be the Tank Workshop TV show? If so, it may be the best of the bunch, but again, not much story or drama.
Sub. Nice use of different elevations and great groundwork, but the boat and diver in the foreground may be one internal scene too many. Also, the figures seem not to be interacting with the rest of the scene
Twin Shermans: It looks like the second Sherman has had its driver’s vision severely compromised by the sandbags. The front one has floating tracks over the ground. There’s stuff on the back of the first that will fall off at the first bump. The two Americans with the German prisoner looks like a mob hit in the making.
Two guys and broken bridge: What was the bridge supposed to have been attached to? It looks like it goes straight out from the two guys’ perch but there’s no damage to the ground work near them. Visually, it looks like a two figure vignette was almost randomly placed on a different scene.
Broken stern: Lots of nice rust elements here, but what’s the story? Is that hole supposed to be a shell hole? If so, how did it get so rusty so quick? Is the guy in he middle level supposed to be dead and half hanging out of the hatch? If the ship is sinking fast, suggested by the clothing of the guys in the water, why is the guy on top taking so much time with the guy he’s cradling?