First let me say this model is very well done! I think the weathering and the dot meathod really worked out well for you!
I noticed this though and thought I’d try and touch on that with my own methods (not that I always manage to execute them correctly...
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Lufttiger wrote: |
The blood is just stright out of the tube oil, i should have added just a little black, but it turned out ok. Thanks.
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When I mix blood colors, I usually don't go for black right off- the straight red looks too red, but I tend to add various amounts of purple and brown until it looks the way I want, as blood tends to dry more of a brownish/rusty red. Even if it's very fresh, although I might make highlighted areas more reddish, I still add a small bit of purple/blue to get it to look more... gritty I suppose is the best word I can think of. Otherwise I feel it just jumps out too much. Personally I feel blood is better when it's subtle, not because I think it has to be done “tastefully” per say... (war being what it is) but mainly because I feel like its more of a realism factor and even more effective/powerful when it's not the first thing one sees.
This is a picture off of a cover of an older NY Times that I saved because it was chilled me in a way. Not only because it showed a dead soldier, but because of the soldier that is still alive- yards away and appears all alone. There's the slightest hint of blood, but I feel like the drama of the scene would have been more gore than a real story had it been the first thing I saw. What really makes this picture present it self as how I would want to model a dramatic firefight in 1/35 scale is the way the uniformed soldier is looking back towards the camera and like previously mention, one of your figures looking off “screen” if you will, is a very cool touch.
Sorry that my
turned into more of an essay, I tend to do that... I’ll try and work on it so its not
Looking forward to your next build! This one was excellent and I’m sure you’ll only improve from this point on!