kevin9456 wrote: |
Thanks - I've always been curious. How long did the Arizona actually get the chance to wear Measure 1? |
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A month or two.
I went back and looked at those photos I mentioned - I think it was actually Washington. There were various photos, including a good color photo, supposedly maiden voyage from forecastle looking aft. Looks like what I understand the M1 paint scheme to be. Is that possible? |
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The only color photos of Washington (either at NARA or NHC) are all after the war ended. In them she is just entering the Canal Zone or in the Panama Canal itself heading for Navy Day in NYC. She wears Ms22 at the time, you can tell her from BB-55 by the funnel tops, NC's are black, WA's are grey.
The supposed maiden voyage color photos are NC during her military trials between 08/20/1941 and 08/31/1941. If you're seeing them on the web, ignore the dates as they are wrong unless they're here:
http://www.shipcamouflage.com/BB/viewtopic.php?t=36 Any photos of guns firing you see in this paint scheme cannot be before 08/26/1941 because the guns had never been fired before that date. I have the entire series of her painting her upperworks into this scheme and in many of them you can see where they stopped for the day, several show deckapes actually painting. Suffice it to say 5-O went on very much lighter than it cured which is typical of the old oil based enamels, even today some enamels do this but not to the degree they did back in 1941. It takes weeks for the paint to fully cure and over the first week it darkens significantly.
I have scans of all the original prints and slides that exist at NARA and NHC for BB-55. I have also seen a fair number of the original negatives to determine what type of film they were shot with. The following only applies to BB-55's photos and negatives. The original color film was Kodachrome, the original black and white films used that we can identify were a Kodak panchromatic, an AGFA safety type and AGFA orthocromatic. Sadly better than 85% of the negatives for B&W are copy negatives on a Kodak film type that did not exist until 1948 (these show higher contrast than the originals that do survive from the same series). Of the original B&W photos that we can ID the original film type there are two levels of contrast between the hull and upperworks, even for photos taken on the same day at approximately the same time. If you see photos of a dark hull and upperworks that appear slightly lighter, those were shot on the AGFA safety or orthocromatic films, if you see photos where the hull is very dark and the upperworks much lighter they were shot on Kodak panchromatic film and standard Navy procedure was to use a yellow, amber, orange or red filter....this increased the contrast between 5-O and 5-S, when printed on the early WWII papers the contrast is even more exagerated, later reprints from the same negatives still have high contrast but not as bad as the early prints. I mention the early prints because they are the most commonly published, lazy research is the culprit.....you find photos from every year of the war in the first 20 boxes of the 125 boxes photos are in and most people are satisfied they have all they need....this leads to a lot of myths since those same photos tend to be the ones censored with ink and airbrush on the print. Later reprints are not normally censored.
OK, enough rambling as I'm not fully caffienated yet and the cuppa needs a refill......