Several things here. A lot of the times, I have found that the orange peel effect is more about your paint job, than shooting too far away. Sometimes certain kits are designed with grainy textures in the molds, and this can be a nuisance as well. If you detect this, prime your kit before you start painting. As far as thinning it, you can shoot it straight from the bottle with no ill effects. Build up a layer that's wet, but not running and sloppy. That first coat will bind into the paint rather quickly and then you can come back about 20 minutes later and do the same thing again. Some will say that a ton of light coats is the better method, but I'd rather shoot two heavy coats, and touch up with one light coat, as oppose to shooting 6 light coats and still ending up soaking areas in the end. Save yourself the time, and just get it wet from the start. I don't particularly like brushing it on, because I find that sometimes you'll have excess that is hard to see until it hardens or thickens up, and then you'll magically find a drop of future that has hardened towards the back of a wing or around a contour. Also, despite it's really good leveling capabilities, you can leave brush strokes in Future. What I have learned over the past few months is to polish your paint job prior to starting your clear coats. I use micro mesh 6 and 8000 pads to go over the surface of my paint job. Be careful not to hit too many of your raised areas, or leading and trailing edges, as this will take the paint of of them as well. Just a light rub over the major surface areas, especially where you know there's going to be decals. Just doing this alone saves a TON of frustration when trying to lay Future down. Most people seem like they're looking for the "wet" look when using Future, which I hate to say it, isn't going to happen. I've all but abandoned Future as a pre-decal gloss coat for this reason, and for the fact that I do not like waiting days to go back into work on a project, simply because I have to wait for a clear coat to have it's way. This might shock some folks, but what I've found to be the best gloss coat is Krylon Fusion's Gloss Clear. The Fusion line of paints is made specifically for plastics, so they will not harm your kits. The only problems I've had with this method is that it can have a tendencey to do weird blending effects if you have a preshade underneath a light layered base coat. So, anytime I'm doing pre shade, I go with Future. I can pull off a nicely done post shade that looks equally as good in my eyes, so I can avoid this most of the times, but other times the pre-shade is just the best option. I shoot the Fusion straight from the can in quick bursts until you build up light layers. This stuff is great in the fact that it cures in about four minutes provided you don't drench the thing. Go light, and move quickly when making your passes, and you'll see the build up happen rapidly. Once done, place in front of a fan, and you're literally ready to start decals in five minutes with an absolutely slick and glossed coat.