How to Photograph Your Models at little cost to you.Photography on the cheap. Lights,Camera,Action ! All of the pics that I have taken over the last five years or so and published in my photobucket ,

Here is a little vignette that I set up while the larger diorama was under construction.I wanted to capture the look of fear in the face of the figure yet at the same time project a kind of defiant pose of bravado against the unknown.
Overhead lighting can be used very effectively to your advantage.The face has been underpainted a flesh color only with no other detail painted on ,it is  the lighting alone that is used to bring it to life.
I used one overhead doll house bulb to light the doorway and another inside the office.The pic was taken in a darkened room with the camera on auto.Except for the face I wanted the rest to be out of focus.The sign above the door has been cut off as I didn't want it to become a center of attention.An old classic car with its drivers side door left open was used in the foreground.The rest of the story is left up to the viewers imagination.

Thank you Rick for your kind words.I am sorry about the late response .It posted at the end of the last page which I didn't read till now.Magazines? maybe later when I get old and have some time.

In this pic I used just the interior lighting of the doll house bulbs which were installed especially for my own picture taking purposes.This is a vignette taken from a much larger diorama while it was under construction.It is a good idea to arrange small vignettes like this while you still have easy access to the shot that you are after.
There is no doubt here what the main subject matter is,the airplane under construction.There is enough here to keep the viewer interested without using a strong storyline.I like my figures in relaxed poses where the viewer really doesn't expect a lot of movement.The only thing moving here would be their mouths in conversation about something which is left up to the viewers imagination.

The airplane is purposely off center and here again I have used the left wall and corner to help add a third dimension.The colors are selected for harmony red,green,gray and earth tones.I make it easy on myself and use tube colors rather than mixing my own like I did when painting birds.Various tones can be achieved later using pastels if you like.
It is not always necessary to complete everything for example I wanted the viewer to know what type of construction was used on the fuselage, so I showed only one plywood panel being installed on the far side and out of the way of the framing.
For those unfamiliar with old aircraft construction it was normal practice to put the open structure together for fitting and preliminary rigging purposes,disassemble it and then it would be reassembled after the fabric and plywood was installed on each mayor component.Finally it would be re-rigged and adjusted for flight.It is depicted here in flying position and the tail is resting on a stand.
The important thing here is not the subject matter but the composition.Anything that you could build in an old barn ship,car,stagecoach whatever could be the center of attention.

This is something a little different ,a birds eye view of the same area that I dressed up a bit in photobucket.
The floor makes for an interesting background.I left it a little clean for a shop floor because I liked the pattern and ah what the hell they may have just changed it recently anyway(artistic license)You will notice with this composition that I have not lined up anything in rows or 90 deg to one another .This is a good general rule but in this case almost an necessity because of the uniform floor pattern.
The theme is common to any engine shop or genre of modeling and the era could be old or modern,unless you can read the newspapers on the floor !

I enjoy taking shots from outside a room which leads to another room.It is an easy way to engage your viewers imagination in what may be just beyond the door.Framing your shot using a window or doorway is a nice Sergio technique that I picked up from watching his movies.
In this scene there are no figures and none are really required,in fact figures would actually spoil it.Here again let your viewer fill in the blanks for him or herself.If you were standing at this doorway what would come to mind ? It makes me think that someone has just stepped out of the shop for a minute and you can expect his return at any time.You are almost tempted to say "hey Slim ! where are you ?" The shop is warm and inviting but outside it is dark and slightly mysterious.This stark contrast is what I am looking for here to emotionally connect the viewer with the piece.
Being slightly out of focus gives the piece added atmosphere of dust ,haze or smoke in the air.I have used the corner of the room to give depth to the piece.

Here is a very simple composition that anyone could do,you don't even have to be a good face painter.A title,for the average viewer is in this case is not even required.I added it for the very young viewer who might be confused as to what he is looking at.He has enough to take in with  the present to give much time to thinking about the future.
Most of this is made with coffee stiks and ordinary cardboard from the back of writing pads.The cans are the metal part of old pencil erasers.The spark plug sign gives us a rough idea of the era involved.The human's thinking is ageless.The disappearing horizon is the key to this storyboard vignette.
Even if your model looks like a model as in this case it is not important as the story itself and the emotion of the viewer is what we are after here .Anyone who walks into a movie house or live theater expects to suspend their disbelief for awhile,same thing for scale models.Just think story first !

John, I'm not sure which is more impressive, your diorama work or your photography.  You obviously are a master of two hobbies.   If you could write up an appropriate article and submit to the Magazine, this would be worthy of publication.  Incredible work.  Rick.

Here is one for the ship modeler guys ! I have included it here for two reasons.One to show what can be done with an ordinary flash light and two making a poster of your work.
This model is in 1/72 scale and it was my first storyboard diorama.It didn't start out that way but the idea developed over time and I had lots of it as this piece took twenty years to build,on and off between woodcarving teaching sessions.
The light is placed low because it is supposed to be sunrise,in harbor and under bare poles.
I won't bore you guys with the storyline ,it is available on the web for those interested.The point here is the lighting.There was absolutely no set up ,the pic was taken with my hand held camera through a plexiglass case in my own darkened living room.
There is a slight tilt to the pic as I wanted the ship to be in a gentle roll.I used the figurehead to put one side of the ship in shadow.The lighted rigging helps to keep things interesting.
The poster was created in photobucket and is very easy to do,just follow the instructions.Believe me if I can do it you can too.

This group of figures was photographed using just the overhead doll house type lighting.This lighting was installed specifically by me for pic taking purposes only as the museum has no way to replace the burnt bulbs.The fixtures themselves look good and I am sure their experts will find another way to light it.From a normal viewing distance and inside a case the figures themselves look OK even in natural light.
As you can see I am no great figure painter but I compensate for this by using the shadows to bring them alive.The faces here were underpainted only and just a small amount of pastels were used for a little shading.Models in a diorama can in my opinion be overpainted. Unlike the stand alone figure that will be picked up and examined very closely my figures are different.They are there to primary help tell a story , mood , atmosphere and composition are of primary importance to me.Here again I have left a space for the viewer to join into the conversation.
The second group of figures are there to add depth to the piece.

A funny thing about eyes,most modelers have trouble painting them ,myself included.My solution ?,don't bother. A strange thing happens when it comes to shadows and eyes.The human eye is so used to seeing eyes on a face that the brain automatically puts them in there for you when you leave them in shadow and at a certain distance.
The keen observer will also notice that I left a little joke in there stuck to the heel of a boot.Could that be what they are laughing about ?

I grew up around fighter pilots from WW2 and flew co-pilot with many of them during their later years.My dad was one of them.The piece is called "Buds" because of the unbreakable bond that exists between fighter pilots of any era.

Thank you ! my files are unfortunately set up with separate pics and text.Cheers! John.

John, I appreciate your efforts in posting these and congratulations on getting your work into the museum- that must feel quite satisfying- but...  please, could you place your text blocks under the photos in one post?  It would make it easier to read and follow along without the border jump in between.

The picture that I have titled "Sunrise" is from my 1/16th scale diorama that is now on permanent display in the lobby of the Canada Aviation and Space Museum in Ottawa Canada.My other three 1/16th dioramas will be on display on the main floor of that same museum some time before Christmas.I hope that you enjoy them. Cheers ! John.

I have always loved the "Old Barn" look with the light filtering between the boards.Here I have set up a light outside representing the rising sun.The subject matter could be anything from any era.It is the overall look that I am after,a mood,an atmosphere.
The boards are tongue depressors which are quite thin birch wood so I had to paint the opposite side black.The buildings structure is clear pine which I bought at the local wood store and painted using my "Barnwood Technique".The weathering is acrylics and pastels.
The story in this piece is from WW1,probably somewhere in France around 1917.It is an American temporary summer type hanger with lots of nice fresh air.The "Hat in the Ring" symbol hung on the wall confirms this to a knowledgeable viewer.The ripped out piece of canvas with the bullet holes is an Iron Cross  souvenir tacked to the wall.The aircraft is a Nieuport of French manufacture that was supplied to the Americans during the hostilities.
Depth has been achieved here by the converging lines on the walls ending in a corner of the barn and the tail of the aircraft also resting in the corner.The aircraft wing set up at an angle also helps with this illusion.The light on the wing would indicate where  the barn doors are located or they could be  non existent with just a canvas opening used for protection.

Here is a pic that I played with using photobucket.The description of the scene in the pic itself is not really necessary but I thought that I would throw it in.
This is an eye-level 3/4 shot that is probably the easiest to set up.I included a little of the foreground to help add depth to the piece.I wanted the airplane to be the center of attention so I focused on it and left the rest a little blurry.I used overhead artificial mobile lighting in this shot depicting late fall or early winter here in Canada where it can be dark by 4 or 5 in the afternoon.
This airplane is a barnstormer and airshow type  Jenny Canuck being rebuilt after an accident, that is why I painted one wheel red and the other wheel green.

Hey ! It is whatever you want it to be.