Mixing up the years slightly sure makes for a different winter at Valley Forge. This is what happens when you muddy up the details, instead of getting things right. I'm sure that's your entire point about "Sons of Historical Inaccuracy" too. I enjoyed it, but only because I don't know enough about the truth to see the huge holes in the story everywhere. All I can really say is after reading the Morgan short biography of Franklin over the summer, that show's portrayal of that brilliant polymath doesn't seem very inspired.
Comparing the rebellion of the American colonies to Vietnam is a really interesting perspective, and I see your point. In both wars, the superior side could take a hill, and it could take a city, but it couldn't break the spirit of the resistance. The same thing happened to both the USSR and the US in Afghanistan too, don't you think?
It's amazing how the difference between a rebel and a patriot all depends on who wins in the end.
On a tangent, it's also amazing that everything in the heyday of European colonial expansion took place in an age before they had so much as the telegraph. How difficult it must have been to rule an empire through ship's mail that took weeks to travel in both directions.
Back to the Constitution, the story of the copper bolts Paul Revere reworked really amazes me too. As hard as it is to find just the right kind of fitting for a ship model surfing the collection of mostly bad 1990s looking web stores, that's utterly nothing compared to the challenge of buying several thousand bolts from England right after the war, by mail order. For one thing, you'd have to know to whom to write your initial letter of inquiry, and I'd expect the entire negotiation to take upwards of six months. It is SO much easier being able to click a link, or in those unavoidable cases, pick up a telephone!
Jumping subjects again, for that matter, I really wonder at the Hull model. Those were a bunch of most likely illiterate sailors floating around on a ship with very limited resources at their disposal. Where did they come up with the hammock crane irons? Those parts are quite beautiful on the Hull model, and much better than anything I've seen in brass photo-etch or plastic, though I'm thinking they may be slightly over-scale.
Maybe they cast parts like that out of lead or something. I wouldn't be surprised.
And anyway, I've continued working on the plastic Connie in spite of myself. I glued up the major mast and yard components, as though I intended to paint them. Maybe I will.
I also bought the Lauck Street Shipyard practicum, and got access to Bob's private forum where several modelers have builds in various stages of completion. Several of them are quite gorgeous, and quite inspiring. It seems to take people 1.5 to 5 years just to complete the hull, and I will likely be on the longer end of that time scale. When I take breaks to escape the frustration, I will probably work on the plastic Connie in spite of myself, and I may even mast and rig it as a smaller scale dry run for the major event.
On the one hand, things go together and look like something faster in plastic, and on the other, I don't find plastic at all agreeable to work. I will probably never do another plastic ship after this; assuming I get the Connie together eventually.
I'm really enjoying myself. I'm finally pulling myself out of a very major depression, and I'm enjoying the camaraderie around here. I wish all of you the very best.