How could I have missed this interesting thread???
Thanks Force9 for those interesting and superbe photos. I already linked them in other german forums, where are friends of the ship as well.
I fully follow your thesis. I think Tyrone Martin describes the process of putting in the gunport lids only in heavy weather from inside of the gun-deck - and disassemble them in calm waters or during battle in his book "a most fortunate ship" .. for the ships earlier configuraton.
The stripe or any other discussed question with the ships layout:
I think we have to take into consideration that some of the paintings have been done a while after the events (all of them AFTER the event - of course ). The ship back in harbour, the damagde being reparied. These paintings are a kind of visual promotion or propaganda to show the public what happened. So the ship had to be represented in a way that the common publicity is able to recognize "its the Constitution". This may have meant that artist and client wanted to show the ship in its actual or in its commonly best known configuration.
IF Constitution had a white band in her time before the war - and after .. it might have caused confusion to sho her to the publik in her "war-time-camouflage". These paintings have never been meant to show what really happened. They are more a praise and homage for the ship and its crew to raise the common gratitute for the crew and its captain (who very often was the initator and sponsor of the paintings).
To compare:
did you ever see a painting showing a ship which fools the enemy by flying the wrong flag? No: as the code of honor demanded: before discharge the first shot a ship had to show its "real" flag. But to come closer it was kind of allowed to fool the enemy.
But would a painter show that? Wouldn´t the audience being fooled too? Whouldn´t that debase the daring deed of the captain? So would he like to show that to a publicity which may not have been that experienced in naval warefare?
The same - by the way I think - is valid or the number of Constitution stern windows. Different numbers may have their reason in the fact that during the time of the paintings production the number had changed.
This may be a clue for the fact that capable artists do show different configurations of the same events - although they are used to work very accurate and althoug their clients were men who knew the ship.
The same for the Isaac Hull Model. Its makers may have had their reasons for showing things different from what we expect .. compared to the paintings, compared to written word...
Conclusion:
we have to consider that some of the details shown in paintings may come from commonly used and known layout before or a while after the action presented in the painting. This does not mean to NOT to trust anything at all - but this means: you have to try to get as much information as possible and then judge carefully which puzzle-piece you want to take - and which to refuse. Many answers are then only a question of likelyhood. No "right", no "wrong" .. but a "very likely", "possible" or "implausible or questionable".
In may point of view: this makes the whole process of describing an old ship more interesting, more thrilling. ... and it gives everyone the freedom to decide for his/her model, his/her representation. ..
Disatvantage: everyone with a bit of knowledge might start to argue - and you would not have the chance to say: "my way is the right one!"
Tolerance is needed - from both sides.