Yeah, that's what it looked like.
I used to be an airbrush artist, one of the tools
in my bag, and my first
and almost only airbrush was/is a Badger dual action.
I used to paint figurative work and the like back in
the 80's, then found the brush came in handy for model
finishing. I never broke into painting vans or detailing motor bikes though.....
I hate unicorns and lost interest in Frank Frazetta back in the early 80's....lol
If I can find an old painting I'll post it. I stopped painting when
Photoshop came out.
One of the owners of an LHS asked me to teach airbrush classes, but by then
I was teaching full-time, and working weekends didn't make sense.
I can see you are very careful to establish the right flow and stroke before
your cone hits the subject, sometimes that's all a guy needs.
Man, did that clear coat ever project those colours.
Thanks for the link. Here are a couple of exercises you may find helpful, I used to do these to warm up,
kind of like a musician playing scales.
1) tape down a nice big sheet of scrap paper.
2) draw a target area on your paper with lots of room at either end zone
3) load up your cup/bottle with cheap paint you can afford to waste.
4) practice this before you even place your cup into your brush: place your brush over a safe end zone and begin by pressing down the trigger until desired airflow is reached.
5) Now start your even stroke at a steady rate and draw the imaginary cone over the target until
it is well past the target. Do not pull back on the trigger yet.
6) go back to the beginning end zone and repeat about 30 times. No I'm not kidding, i used to get drawing students to practice drawing straight lines pretty much the same way.
7) Place the loaded the cup into your brush.
8) go to an end zone and begin by pressing down the trigger until desired airflow is reached.
9) Gently pull back on the trigger until desired paint flow is established. That paint spot will get bigger and darker in the end zone, but don't be intimidated, just relax and waste some paint.
10) start a smooth steady stroke and draw it across your target until the other end zone.
11) Stop and let another paint spot build in the end zone, then gently push the trigger forward - do not release the downward pressure. Keep the airflow exactly the same.
12) the airbrush should no longer be delivering paint, and the airflow should be exactly what it was
when you started. Now release the downward pressure on the trigger. Done one evolution.
Repeat steps 4-12 a few dozen times, and remember, do not rush or become intimidated by the process.
Before you paint anything, run through a few practice dry runs then practice on a waste piece of paper with you paint to assure your flow and stroke.
I hope that helps, let me know if it does.
Dom